This Jackie Chan sequel from the 1990s is a martial arts classic.

The action hero is at his finest in this ’90s production, which is plenty of humour and action.

Jackie Chan
  • Drunken Master II, or The Legend of Drunken Master, is widely regarded as Jackie Chan’s greatest work, showing his action-comedy style and martial arts choreography.
  • The action sequences in the film are outstanding, with immaculate camera work capturing every instant of contact between the protagonists.
  • Drunken Master II’s cast, which includes Anita Mui and Ken Lo, adds humour and intensity to the picture, making it a must-see for Jackie Chan fans.

The year 1978 would be significant in Jackie Chan’s career. Drunken Master and Snake in the Eagle’s Shadow were also great hits for him. The success of these films aided in the development of Chan into the global celebrity we know and love. In truth, Jackie Chan has done several films, many of which might be considered his best, particularly in the 1990s. Some may consider Supercop, in which he co-stars with Michelle Yeoh, to be his greatest effort.However, Drunken Master II, also known as The Legend of Drunken Master, was released in 1994, 16 years after the first. Drunken Master II is his greatest effort, putting a new spin on the action-comedy style he developed between the first and second films. There are several stunts, but the actual strength rests in the martial arts choreography.

A sequel and a remake are both present in “Drunken Master II”

The 1978 classic is not necessary to comprehend this narrative. In the film, which is set in 20th-century China, the British consul’s occupation of Canton, the hometown of folk hero Wong Fei-hung (Jackie Chan), is causing tensions to rise. When Wong returns home with his strict father, danger is soon to follow. A misplaced MacGuffin between Wong and Fu Wen-chi (Lau Kar-leung) is two yellow packets. Chan portrays an older Wong than was last seen in the first Drunken Master, however there isn’t much more to the plot than that. Chan, who at this stage had established his slapstick-kung fu style, instead makes it work as a remake. The action sequences in Drunken Master II are challenging but appear fluid.

Wong’s train stops on the way home, and he gets off to get the parcel that will cause trouble. Soon after, Wong and the older Fu get into a battle underneath the train cars over what Wong believes to be his father’s ginseng and what Fu believes to be the Imperial Seal, which he wants to prevent from being smuggled out. In Wong’s possession is an Imperial Seal instead of what should be ginseng. One issue follows another, and Wong’s impatient demeanour doesn’t help. He is familiar with the method of drunken boxing. When Wong consumes alcohol, he may become more powerful, but he also gets careless and uncontrollable. Wong is still his community’s sole hope to escape the oppression.

Fu controls a Qiang, a feathered spear, against Wong’s Tiger sword as the two frantically clash weapons or duck out of the way of one other’s attacks. The movements are clearly captured by the camera, ensuring that not a single second of contact is lost. Fans of Jackie Chan’s later works may be reminded of them by the usage of firearms and the historical backdrop. Chan is teamed with Owen Wilson in the Wild West in the two Shanghai films.Chan plays Chon Wang in the first Shanghai Knights, an Imperial Guard who leaves the Forbidden City and is stuck with Wilson’s Roy, a terrible cowboy. In the climactic scene, Wang must face his fellow Imperial Guards while avoiding getting harmed by their Qiang spears. Like in Drunken Master II, the theft of an Imperial Seal is significant in the follow-up. The battle scenes are becoming better, but the cast does their best to ensure that the action isn’t limited to those.

There Are Other Things To Watch Besides Jackie Chan

Anita Mui stands out as Chan’s stepmother Ling, a gambling addict who is just as naughty as her stepson. Mui is a terrible influence who frequently gets Wong drunk so he can fight better, and his face is always expressive. Ling collects her buddies to toss in each bottle of wine they can find during a brawl in the town where Wong is fighting the British consul’s goons. She enquires, “What does it mean when there’s a picture of a skull?” “Good stuff!” is shouted back by Wong, who is completely inebriated. Much to the annoyance of Wong’s father, Ling is consistently on her stepson’s side.

One of the top opponents with exceptional Taekwondo kicks is John, played by Ken Lo, Chan’s bodyguard at the time. The henchmen all appear to be powerless to stop Wong, but John discovers him drunk and makes sure to disgrace him in front of the neighbours. Chan’s movies typically have his protagonists struggling before finding the strength to succeed, and Lo’s character adds that crucial element. Mui and Lo add humour and intensity to the situations.

Chan realised there was another way to approach the story of the Drunken Master. It features humour but also a more haughty Jackie Chan and a more erratic Wong who is content to get drunk and fight expertly. By 1994, Chan had attained new heights of celebrity, and he didn’t want to have a negative impact on his younger followers. In an interview commemorating the 35th anniversary of Drunken Master, he said that he believed the earlier film to have justified fighting while intoxicated.Chan gets to demonstrate his acting chops in the 1990s sequel in addition to his fighting prowess; this is something he would go on to do more of in the future. Back in Drunken Master II, Wong is brutally defeated by John, and Chan can clearly see the guilt on his face. His eyes are watering from crying as he realises the dangers of binge drinking. Naturally, since this is Drunken Master II, the pathos doesn’t last too long before returning to the main attraction.

Chan Produces Amazing Fight Scene After Amazing Fight Scene

The action scenes are lengthier than one may anticipate. Following the train car fight, there is the one in town where Chan engages in a ferocious duel with goons while managing to keep the booze bottles in his hands intact. Wong and Fu later meet up again to take on the Axe Gang. Wong makes an effort to prevent as many of them from scaling the windows. Fu stomps forcefully at the top of a staircase, causing it to collapse as the gang hurries up. Wong quickly equips himself with shredded bamboo or the broken parts of a table to shove the gang members away. Watching it is thrilling, and there’s still more to come! It’s the second half that makes this sequel Chan’s greatest.

The last fight, which lasts about 20 minutes, is bold. It takes place in a steel factory run by the British that has forced the local employees to work overtime without getting paid for it. When Wong arrives to free the trapped employees, many henchmen get ready to stop him. Stunts abound in the grand finale, particularly those involving fire. After taking a mouthful of ethanol alcohol, Wong starts to catch fire, falls back onto hot coals at another point, and even starts to breathe fire.As the film’s title implies, Chan’s character decides to indulge in one last drink in order to stop John, the final henchman, whose high-flying kicks make it appear as though the action is speeding up. Wong consumes the ethanol alcohol that is used to maintain the fires in the plant, giving himself the fervour to fight John’s kicks in a furious, inebriated manner. As Wong eventually and proudly defeats John, there is a tremendous amount of speed in his fists, arms, knees, legs, and head.

Wong does succeed, but it has a price. Although the finale isn’t excellent, it comes too quickly to undo everything that has gone before. Before there is a freeze-frame on the cheerful smiles of numerous cast members, characters other than Wong, it is revealed that Wong has temporary brain impairment (or possibly a terrible hangover depending on the translations). This conclusion fits with Chan’s desire to emphasise the issue of alcoholism and conveys a more clear message than the first Drunken Master, who wasn’t too concerned about it.Chan had the opportunity to discuss his theories behind the appeal of his films at the 35th anniversary interview. “You can succeed if you work hard in your training. There are numerous action films that no one could ever pull off. No one can do it, not even Spider-Man or Superman. It’s actually him on film, and it shows in the battle choreography of Drunken Master II, making it all the more remarkable.

Film reviewer Roger Ebert lauded Chan in his review of Drunken Master II, saying, “Some people love Jackie, while others have no interest in ever seeing his films because they assume they know what they will see. The basic fact is that Chan has earned his position in film history someplace in the same hall of fame as Buster Keaton, Douglas Fairbanks Sr., Fred Astaire, Gene Kelly, and, yes, Jackie Chan—other great physical performers who truly did their stuff themselves. Drunken Master II is an acknowledgement of this from among the many works Chan completed and continued to produce.It demonstrates the artistry and humour in Chan’s fighting style, which helped to make him a global celebrity. Drunken Master II is a light-hearted viewing for a comedic, kung fu, period movie that provides the total Jackie Chan experience. The plot is thin enough, and the action scenes are long enough.

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